Mask and masquerade in Feodor Dostoevsky’s creative works
نویسندگان
چکیده
منابع مشابه
Feodor Dragan
1 I n t r o d u c t i o n All graphs in this paper are connected and simple, i.e. finite, undirected, loopless and without multiple edges. In a graph G = (V, E) the length of a path from a vertex v to a vertex u is the number of edges in the path. The distance d(u, v) from vertex u to vertex v is the length of a minimum length path from u to v and the interval I(u, v) between these vertices is ...
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Appropriation is a common practice in art and literature; electronic literature in particular lends itself readily to appropriation and collaboration, due to its multimodal and born-digital nature. This paper presents practice-based research examining the effects of digital appropriation on two works of digital fiction (a hyperfiction and an interactive fiction), demonstrating how it alters the...
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abstract a fundamental study of “historio-graphic metafiction” and “literary genres”, as introduced in “new historical philosophy”, and tracing them in the works of julian barnes having studied the two novels, the porcupine and arthur & george, by julian barnes, the researcher has applied linda hutcheon’s historio-graphic metafictional theories to them. the thesis is divided into five cha...
15 صفحه اولMasquerade
John Skelhorn introduces masquerade, a strategy of prey animals to resemble inanimate (and inedible) objects.
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Masquerade syndromes are disorders that occur with intraocular inflammation and are often misdiagnosed as a chronic idiopathic uveitis. The term "Masquerade Syndrome" was first used in 1967 to describe a case of conjunctival carcinoma that manifested as chronic conjunctivitis [22]. Today, it is used to describe disorders that stimulate chronic uveitis. Because of the nature of the underlying di...
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ژورنال
عنوان ژورنال: Novosibirsk State Pedagogical University Bulletin
سال: 2015
ISSN: 2226-3365
DOI: 10.15293/2226-3365.1505.03